Upcoming Lectures, Talks, and Conferences

 

“Reproducing and Reflecting on Metalwork in the Early Modern Low Countries,” M-Museum, Leuven, 6 June 2024

 

Recent Presentations

“Beatrice Hamerani and Women as Early Modern Sculptors,” in “Molding Matters: Women in Early Modern Sculpture,” Renaissance Society of America, Chicago, Mar., 2024

“Curating European Art Now,” NEH-Curatorial Studies Speaker Series, Hamilton College, Feb. 2024

“Beatrix Hamerana: Women Making Medals in Seventeenth-Century Rome,” Society for Sixteenth Century Studies Conference, Baltimore, Oct. 2023

“Water, Rust, Acid, and Dürer’s Etchings,” Materializing Transparency, eikones: Center for the Theory and History of the Image, University of Basel, May 2023

“A Paradise of Priests, a City of Saints: Relics and Crisis in Late Medieval Liège,” City of Relics, Dartmouth College, May 2023

“Styling Reform: Lambert Lombard’s Drawings for Sculpture,” Netherlandish Drawings Symposium, Cleveland Museum of Art, Nov. 2022

“The Sculptress: Carving Women in the Early Modern Low Countries,” Historians of Netherlandish Art Conference, Amsterdam/The Hague, June 2022

“Foreign Sculpture, Local Sculpture: Receptions of Netherlandish Altarpieces in Sixteenth-Century France,” Netherlandish Carved Altarpieces, Centre for Renaissance and Reformation Studies, May 2022

“Out from the Low Countries: The Circulation of Early Modern Devotional Sculpture,” in Renaissance Society of America, Dublin, Apr. 2022

“Miniatures acting out: narratives and statuettes in Early Modern Germany and the Low Countries,” Miniatures as Narrative: Small World and Dream Worlds, University of Toronto, March 2022

Between Altar and Collection: Miniature Devotional Sculpture, Objects of Devotion Conference, organized by the University of Ghent, May 2021

With Samantha Chang, “Art History and Social Media: Considerations for Conversations,” Open Art Histories Network, May 2021

“Making the Reformation Reliquary,” Renaissance Society of America, April 2021

“Creating a Nationalist Middle Ages: The 20th-century Wallonian Independence Movement and the Appropriation of Medieval Sculpture," ARDS Colloqium, organized with the Courtauld Institute of Art, V&A Museum, and British Museum, December 2020

“Mass-Produced Statues in the Late Medieval Maasland,” College Art Association, 2020

“Reflecting a Golden Age: The Material Composition of History in the Treasuries of the Late Medieval Maasland,” Collecting, Curating, Assembling: New Approaches to the Archive in the Middle Ages, University of St. Andrews, 2019

“A Community of Canons: Black Marble Tombs in Late Medieval Liège,” International Medieval Congress, Leeds, 2019

“Swabia in Liège: Daniel Mauch and the Reformation of Sculpture,” Renaissance Society of America, 2019

 

Recent Sessions and Conferences Organized

Co-organizer with Laura Tillery (Hamiliton College), “Netherlandish-ism: Art and Nationhood in 20th-Century Europe,” Historians of Netherlandish Art Conference, 2024

Co-organizer with Laura Tillery, “Intermedial Collaboration in Artistic Processes,” Historians of Netherlandish Art Conference, 2022

Co-organizer with Ashley Offill, “Roundtable: Re-envisioning Early Modern Collections,” Renaissance Society of America, 2023

Co-organizer with Meredith Steinfels, Ashley Offill, and John Bell, Terms of Art: Design, Description, and Discovery in Cataloguing, Hood Museum of Art, Dartmouth College, 2023

Co-organizer with Isabelle Lecocq, “The Miniature in and Around the Low Countries,” sponsored by the Historians of Netherlandish Art, Renaissance Society of America, 2022

Co-organizer with Samantha Chang (University of Toronto) and Lauryn Smith (Case Western University), ConfluencesConnections, and Correspondences: Music and Visual Culture Conference, University of Toronto, 13–14 Oct. 2016

Organizer, Third Annual Jens Wollesen Graduate Symposium, University of Toronto, 18 Mar. 2016

Organizer, “Memory and Commemoration in the Late Medieval City,” New College Conference on Medieval and Renaissance Studies, 2016